Free – Deniece Williams [1977]

During the early part of 1977, still only 15 years old I was studying for my High School examinations. When this song “Free” started to descend the UK charts I was in the last few months of school. In those days you could leave school and go into full time work when reaching 16 years old by August of that years schooling year. I was 16 in the July.

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I passed my exams, I was then granted a place at the local college. This would have seen me then go onto University. Life didn’t work out that way for me. I actually took a full time job after taking an entrance exam for the Post Office. I took the job because it was money in my pocket, I was earning and contributing to society, and “free”, well, from education anyway.

This and her follow up single “That’s what friends are for” (UK#8) remind me of this time.

Under the name Deniece Chandler, she sang on a number songs for small labels, which in the UK during the early 1970’s would have been played under the banner of Northern Soul in small town clubs across the North West of England. You could say her big breakthrough came with “Free” (her first hit in the UK). At the time Deniece Williams was a new artist to me, and looking at the label of the single I did not realise it was produced in 1976.

Whilst writing this blog and delving deeper into the tracks I have purchased over the years, I keep coming up with writers, producers and performers who seem to in one form or another, have collaborated with each other several times. Lots of artists starting out having been backing vocalist for other well known performers who themselves then become the starting point for new up and coming artists. Writers and producers seem to crop up having hit songs with a multitude of singers or bands I have in my collection.

She signed a deal with Columbia records (US) and CBS (UK) and began working with Maurice White of Earth, Wind and Fire and Kalimba Productions. This was after previously doing back up vocals for Stevie Wonder in particular, his mega selling album “Songs in the key of life”, she also worked with Minnie Riperton and Roberta Flack.

Self penned B-Side “Cause you love me baby”

Maurice White and production partner Charles Stepney worked together with Deniece on her debut album in 1976. “Free” was track recorded for the album which was called “This is Niecy”. Lyrically the song is about love, how she feels. The meaning of the words “I want to be free” I can see as being interpreted in a couple of ways such as the feeling of being free to express herself and be the real her, wanting to let go of inhibitions not just her, but her partner. Its an intense expression of love. Deniece has a beautiful soulful tone and in places has the delicate high register like Minnie Riperton.

When the track was released as a single it was in an edited form in a running time of 2:46. The album track is almost six minutes long. The single entered both the R&B chart and main Billboard Singles charts in the US. It climbed to #25 on the singles chart but #2 on the R&B chart. It also was a minor hit in Australia #57, reached top twenty in Belgium and The Netherlands and top forty in Canada. In Ireland it peaked #8.

At the beginning of April 1977 the song broke into the UK top 40 singles chart. It peaked at #1 for two weeks in May and had a 10 week run in the top 40. Deniece would enjoy another three top ten singles in the UK which would include a duet with stable mate Johnny Matthis.

Deniece wrote the B side “Cause you love me baby”. Another soulful vocal, in which she riffs up and down her large vocal range. This has a more up tempo vibe due to bass and drum lines. Love the backing vocals. Lyrically similar to “Free” as she describes how her lover makes her feel.

Four Bacharach & David Songs (E.P.) – Deacon Blue [1990]

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Deacon Blue are a rock pop band that hail from Glasgow, Scotland and have had success in the UK with such albums as “When the world knows your name”, “What ever you say, say nothing” and “City of love”

They were formed in 1985 and by 1987 had established themselves enough to record their debut album, “Raintown”.

As the title of the Extended Play suggests, these are four popular and well known Bacharach and David songs all of which have been covered by multiple artists. Dionne Warwick was probably Bacharach and David’s main artist to sing their songs alongside Cilla Black and Dusty Springfield. At the time the E.P. was recorded, the main band members were; vocalists Ricky Ross and Lorraine McIntosh, keyboard player James Prime, drummer Dougie Vipond, Guitarist Graeme Kelling (4 April 1957 – 10 June 2004) and Ewen Vernal.

Side One

“I’ll never fall in love again” was recorded in different versions in 1969 by Johnny Mathais, Bobby Gentry, and Dionne Warwick.

Deacon Blue’s version [2:46] is a very slow duet between Ricky and Lorraine. The first two verses are taken by Ricky. In a form of response, Lorraine comes in on the line…. “Don’t tell me what’s it all about, ‘Cause I’ve been there…..” The next verse is again Ricky with the odd word and harmony from Lorraine. The final seconds of the track they both sing alternate lines … “What do you get when you fall in love” … and song fades into a finish.

“The look of love” was recorded as an instrumental in 1966 by Stan Getz, but the first vocal version was made for the movie Casino Royale in 1967 by Dusty Springfield.

Deacon Blue’s version [3:35] sticks very much to Dusty’s Bossa Nova tempo with the lead vocal by Ricky and harmony vocals by Lorraine. A variety of backing instruments can be heard from drums, guitars, piano, organ, and full orchestra giving the song depth. Probably my favourite of all the tracks.

Side Two

“Are you there (with another girl)”  was recorded by Dionne Warwick in 1965.

Deacon Blue’s version [3:22] is faster and has a fuller sound than the original and almost feels like an original song written by the band. The main vocal is by Lorraine. I love the brass and strings.

“Message to Michael” was recorded in various versions from 1964-1965 as Message to Martha/Michael by Lou Johnson, Adam Faith, which charted but the most well known version is that of Dionne Warwick in 1966.

Deacon Blue’s version [3:58] has almost a blues feeling because of the Hammond organ and brass section of orchestra. Ricky takes the lead vocals with harmony from Lorraine.

Production was by Jon Kelly and Engineered by Robin Rankin

The first track, “I’ll Never Fall in Love Again”, was the main radio track for the EP, and received extensive play in the United Kingdom and peaked at No. 2 in both the Irish and UK singles chart and it also managed to break into the Dutch chart and peak at #72. This is the highest performing chart single of their career as of 2023.

Up to 2020, it is purported that Deacon Blue’s total album sales stood at seven million, with twelve UK top 40 singles, along with two number one albums in the UK.

Stand And Deliver – Adam And The Ants (1981)

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The early 1980’s was seeing a change in British music. The punk days were over and suddenly image, performance and video were the order of the day. No-one took this on board more than Adam and the Ants, who in a series of singles from 1980 to 1982 began an assault of the UK charts with catchy songs and carefully crafted videos. Image for the group was all important to their success.

Having started out in 1977 as a punk group and with continuous line up changes, in 1980 the group had a change in direction.

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Back cover showing the latest line up (ever-changing) and introducing Gary Tibbs

The video had an appearance of actress Amanda Donohoe, Adam Ant’s girlfriend of the time. The follow-up single’s video “Prince Charming” featured popular British Actress Diana Dors who in her younger days was described as a British version of Marilyn Munroe.

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Front cover of picture sleeve for “Stand and Deliver”

The cover front and back sum up the image and the songs content. “I’m a dandy highwayman who you’re too scared to mention. I spend my cash on looking flash and grabbing your attention …” say the lyrics. Written by Adam Ant with Marco Pirroni, who had a huge part in this success. It was the bands first of two #1 singles in a total of 7 top ten UK charted records. It stood at the top of the UK charts for 5 weeks and went on to sell 1.03 million copies in UK alone and resulted in a long chart run in Germany when peaking at #8. It even made the US Dance chart reaching #38. When the Ants disbanded in 1982, Pirroni continued to write with Adam for his solo career including the #1 UK and Australian hit “Goody Two Shoes”.

September – Earth, Wind and Fire (1978)

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The fusion of Funk, Soul, Disco and Jazz has always been a favourite sound of mine. Earth, Wind and Fire are the top exponents of these genres. The great thing about this group is the amount of members and the types of instruments they play. It’s almost like a full orchestra rather than a group/band. Formed 1969 in Chicago, Illinois, USA, they have in a career of over 45 years picked up 6 Grammy awards out of 20 nominations and 4 American Music Awards (as of 2015). They have a star on the Hollywood walk of Fame and have been inducted into the Rock and Roll Hall of Fame amongst an array of other music business institutions.

The main stays of the group include its founder Maurice White, Vocalist Philip Bailey, Verdine Bailey and Ralph Johnson. Over the years well over 60 musicians have been attributed as part of the group.

During the period 1975 until 1981, Earth, Wind and Fire were at the height of their popularity regarding chart hits, reaching the top ten in both the US and UK including two number one albums and one number one single in the US. During this time they were signed to CBS Records (known as Columbia in the US). ARC set up by Maurice White also co-released their productions. 

“September” with its high falsetto vocals within the chorus, full brass, guitars and drums this was a brand new composition released as part of a Greatest Hits package in 1978, and the prelude to their ninth studio album “I Am” in 1979 which included several hit singles including duet with fellow label stable mates “The Emotions” with “Boogie Wonderland”.

The lyrics describe the first moments of a relationship, of knowing that a day in September defined their love, souls were singing, and stars stole the night as they danced……..true love shared today…..

Pity there wasn’t a picture sleeve. I replaced the original paper sleeve with a cardboard one.

Considering the beautiful art work on all of their albums its disappointing to me that my copy of the single didn’t have a picture sleeve. A 16 week run on the UK chart created their biggest hit, peaking at #3. In the US it reached #8 on billboard pop charts but #1 on the R&B chart. In Europe it reached the top twenty in several places and also had a good run on the chart in New Zealand.

Can’t Hide Love

The B-side however is very much a change of pace but still the famous brass section is in evidence throughout, but the vocals are silky smooth for this ballad. “Can’t Hide Love” as the title suggests is the story of someone not openly admitting to being in love.

I Love To Love (But My Baby Loves To Dance) – Tina Charles (1976)

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Tina Charles is a British vocalist born London in 1954, who’s main hit making era was the 1970’s. Originally she was a backing singer and session musician. Unsuccessfully she released some solo singles from 1969, and later appeared on television as a resident singer for the first series of The Two Ronnies Show and similar variety shows of the era. Her career took off by being featured as a backing vocalist on the 1974 #1 UK hit “Come Up And See Me” by Cockney Rebel. In 1975 she was part of a Massive European hit “I’m on Fire” when part of a group called 5000 Volts. Although it was her voice, she wasn’t the vocalist who appeared on television with the song. Whilst being no stranger to featuring uncredited on these big records it was ultimately the disco/pop genre with help of producer Biddu which would help strike gold for her when “I Love To Love” became Tina’s only UK and Ireland #1. After a slow start the song leaped from #23 to #3 and eventually stayed at #1 for 3 weeks in March 1976 for a total of 12 weeks on the chart. It also made #2 in France, The Netherlands, Sweden and Norway. She appeared on several European television shows with the song.

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Original generic CBS cover of the mid 1970’s

Tina’s follow-up made the top 40 and later on at the end of the summer she had another top ten hit with “Dance Little Lady Dance”.
My copy has the pushed out centre that came with a plastic insert for playing. That has long since gone, but I have a centre block with my record player, so it is playable as the video below shows.
Tina continues to be active both by recording and doing live performances. In 2012 an album was released with 5000 Volts partner Martin Jay called Reunited.